Why does the
Chinese government have it in for Ai Weiwei, the country's most prominent
international artist? The answer is made evident at the exhibit "Ai
Weiwei: According to What?" at the Brooklyn Museum. As a result of the
2008 Sichuan
earthquake, thousands were killed–including thousands of students
who were trapped and crushed in shoddily built schools. Ai had tons of rebar,
reinforcement rods, straightened and stacked together, and he compiled a
floor-to-ceiling list and recording of the names of the dead, all to official
outrage. Ever the provocateur, he blew up the X-rays of his head after the
police raided his home and gave him a bashing. He made a marble replica of
surveillance cameras that Chinese police used to record his home. When the
government evicted a feminist leader from her home and dumped her belongings in
a road, Ai replicated her possessions and called it “Ye Haiyan’s Belongings.”
The work shown above, "S.A.C.R.E.D.," is from a series of dioramas
inside iron boxes into which one peers and sees scenes from the cell in which
Ai was detained for 81 days, with ever-present guards. Indeed, Ai turns every
means of oppression into art that reflects and indicts the Chinese government.
Ai Weiwei's art represents a powerful statement of a courageous individual who
refuses to bow to totalitarianism.
“Ai Weiwei: According to What?” continues through August 10, 2014, at the Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY, (718) 638-5000, brooklynmuseum.org
“Ai Weiwei: According to What?” continues through August 10, 2014, at the Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY, (718) 638-5000, brooklynmuseum.org
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