"Signs &
Symbols" at the Whitney Museum of American Art focuses on the work of
postwar American artists before the triumph of the "all-over"
canvases of Pollock, de Kooning and other abstract expressionists. Following World War II, artists and sculptors created
works filled with symbols and calligraphy influenced by African, Native
American, Eastern and surrealist art. I was particularly drawn to the
"oceanic" forms of painters Theodoros Stamos and William Baziotes,
the scrap metal totemic "Kabuki Dancer" by sculptor Richard
Stankiewicz, and the mask imagery in Adolph Gottlieb's "Vigil," 1948
(above). The exhibition provides an illuminating look at an important period in
the development of American abstract art.
"Signs & Symbols" will run
through Oct. 28, 2012, at the Whitney Museum of American Art, 945 Madison Ave. at 75th
St., NYC, (212) 570-3600, whitney.org.
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