In addition to its outstanding permanent collection of
African and Oceanic art, the Metropolitan Museum of Art has mounted excellent
smaller exhibits on these traditions.
The latest such exhibit, "The Nelson A. Rockefeller Vision: In Pursuit of
the Best in the Arts of Africa, Oceania, and the Americas," demonstrates
that the former New York governor and vice president was a passionate collector
of, and advocate for, non-Western art. After realizing that the Met was
originally uninterested in such art, Rockefeller founded
the Museum of Indigenous Art in 1954, which later became the Museum of
Primitive Art (he later disapproved of the condescending term
"primitive"). Eventually, the museum was dissolved and its collection
became part
of the Michael C. Rockefeller Wing, named after Rockefeller's son. Rockefeller
amassed an eclectic and extensive collection (albeit, as ARTnews explains,
"before cultural-property laws restricted the movement of art objects from
their countries of origin") with work, as seen in the exhibit, from the
Solomon Islands, New Guinea, Peru and other lands.
Above: Power Figure: Male (Nkisi), 19th–mid-20th century, Democratic Republic of the Congo
“The Nelson A. Rockefeller Vision: In Pursuit of the Best in the Arts of Africa, Oceania, and the Americas” continues through October 5, 2014, at the Metropolitan Museum of Art, 1000 Fifth Ave. (at 82nd St.), NYC; (212) 535-7710, metmuseum.org.
Above: Power Figure: Male (Nkisi), 19th–mid-20th century, Democratic Republic of the Congo
“The Nelson A. Rockefeller Vision: In Pursuit of the Best in the Arts of Africa, Oceania, and the Americas” continues through October 5, 2014, at the Metropolitan Museum of Art, 1000 Fifth Ave. (at 82nd St.), NYC; (212) 535-7710, metmuseum.org.
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