The Garry Winogrand
retrospective at the Metropolitan Museum of Art presents a generous sampling of
the photographer's work, which was first centered around New York City before
encompassing the Midwest and California. His NYC work, shot in midtown
Manhattan in the 1950s and 1960s, captures the city at a time when its
inhabitants were more formally attired and less culturally
diverse than they are today (see above, from 1962). He also
portrayed the turmoil of the late 1960s with portraits of anti-Vietnam war
protests in Central Park and construction worker riots against peace
demonstrators. When Winogrand went west, he depicted a country adrift: faceless
suburbs, self-absorbed pedestrians, a legless veteran at an American Legion
convention, a woman who is a hit-and-run victim lying in the street as a car
drives by. Similar to his peers Diane Arbus and Lee Friedlander, Garry
Winogrand's black-and-white photos have a haunting power.
"Garry Winogrand" continues through September 21, 2014, at the Metropolitan
Museum of Art, 1000 Fifth Ave. at 82nd St., NYC; (212) 535-7710, metmuseum.org
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