In 1956, Claes
Oldenburg moved from Chicago to New York's East Village and created art that
reflected the neighborhood's grittiness–a period captured in "Claes
Oldenburg: The Street and The Store" at the Museum of Modern Art. During
his "Street" period, he used cardboard, chicken wire, burlap and
newspaper to create purposely crude signs, cars, apartments, guns and ghoulish
street characters. In 1961, Oldenburg maintained a studio and storefront that
he called "The Store," from which he sold papier-maché and plaster
food, clothes, cigarettes and advertising signs. In addition to these objects,
the exhibit contains Oldenburg's first sewn and stuffed cloth and foam rubber
soft sculptures, including an 11-foot ice cream cone and a hamburger as large
as a couch (shown above, with along with various signs). The sculptures reflect
Pop art's celebration of everyday objects and commercialism. Oldenburg saw his
street art as a raw alternative to the sculptures found in museums. Ironically,
his formerly gritty East Village is rapidly gentrifying and his art has moved from his former urban
storefront to major museums.
“Claes Oldenburg: The Street and the Store” will run through Aug. 5, 2013, at the
Museum of Modern Art, 11 West 53rd Street, NYC; (212) 708-9400, moma.org.
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